Why do I do it? I have a degree in History and post graduate qualifications in Teaching and Archaeology. By now I could be running a chain of Academies or kneeling at the bottom of a hole in the ground uncovering the secrets of The Bronze Age in Western Europe and expounding upon them to Tony Robinson, four million viewers (give or take) hanging on my every word. But I had to write, a kind of nervous habit; one of those obsessive-compulsive disorders which, according to recent psychological research, prevent you from getting on with your life.

The world is not ordered to my liking, as I discovered when, at the age of five, it was borne in on me that I would have to attend school not for one day only, but for every day, all day for the foreseeable future – in other words, the rest of my life.

School – in my experience – was not fair. It was not Utopia. It was not the New Jerusalem and, above all, it was not the balmy groves of academe. Birchgrove Juniors was a stone-built prison where resentful inmates plodded through dull books and chanted “five times seven is thirty five, six times seven is forty two…..” Nobody ever told us why. If this were not bad enough, for some reason known only to small childish brains, my fellow prisoners failed to see any social allure in a dreamy slightly scruffy posh kid with buck teeth. So I went to live elsewhere.

Sian World was a place where a girl called Sian, with long golden hair and straight teeth, followed by  a gang of fascinated acolytes, got involved in a series of exploits, many of them comical, in which smart kids, teachers’ pets, strict teachers, horrid boys, park keepers and other enemies of Sian were brought low. The World evolved over the years, but, once you’re in you can never leave, even if the other half of your brain manages to grow up. I am a fantasist…..

writer 2

The most obvious career for someone with such capabilities is Crime, but, though my qualifications are peerless, I failed the interview. According to the feed-back I did not present myself well. My clothes were not smart enough, I lacked confidence and my personal statement was unconvincing. You need passion, these days, to become a successful criminal; and commitment. Competition is intense and I could not convince the gate keepers of the Crime Academy that my personal mission in life, the entire focus of my being, was to flog dodgy financial products or convert the life savings of unwary pensioners into vast corporate profits. Openings in the lower end of the organisation still existed – breaking and entering, for example, or a wide variety of car crime, but, I was kindly advised that I was over-qualified for blue collar work of this sort.

Where to go? All the places they used to call lunatic asylums were closed.

After a brief flirtation with Politics, I became a writer. There are no qualifications, no entry fee, no interviews. Of course you have to sit down and do it, and most of us need to share ….but that’s for future bulletins. All I can say now is I write, and nothing will stop me. To paraphrase Descartes, I write therefore I am……

Sian Williams 


images: www.pinterest.com


A Turn Up for the Book

A Turn Up for the Book

Funny How Things Turn Out

Jac Forsyth, Alan Somerville and I are all part of the Frome Writers’ Collective as well as being founder members of a writers’ group that meets up on Fridays. In truth, we’re the only members of the Friday group!

One day, in a discussion about publishing, we agreed that neither traditional publishing, nor on-line publishing were completely satisfactory for us, so I turned to one of my old ideas – small-scale publishing of hand-stitched booklets with up to around 50 pages. I showed the rest of the group an example of the hand-stitched books, ‘Pip’s Poems’, which went down well. Alan then gave me his collection of seven short stories ‘Seven Sides of Life’, to publish and a friend gave me a collection of 30 limericks, entitled ‘A Bunch of Daffs’.

We gave various copies away, left some in cafés, and sold a few for the price of a cup of coffee, to cover publishing costs (excluding labour), but after this things went quiet for a bit.

Then, at the Frome Artists’ Café, Ray Campbell said:

‘Why do people buy mass-produced copies of art when they could buy from local artists at a similar price?’

It was a good question and one which I decided that might apply to writing and publishing too. So I set up a small display promoting my hand-stitched publishing service, in the area of Frome Library devoted to writers.  The library staff were helpful, even making an offer to organise a launch event – which I might still take up.

Then two-three months went by and nothing happened.  Each booklet had an e-mail address on the back cover for ordering more copies, but there were no e-mails and whenever I visited the library to check the stock of takeaway flyers there were still plenty there. Inevitably, I turned my attention to the many other projects I have on the go.

But then, out of the blue, Alan asked me to print seven more copies of ‘Seven Sides of Life’. It turned out that there was a ‘reading aloud bibliotherapy group, called ‘Reading Allowed’, which met at Frome Library on Mondays, and this group had liked the sample book so much that each member wanted their own copy. Since then, we have been asked for another six copies and we’re now preparing a booklet of children’s stories by Alan, ‘Topsy Turvey Tales’.


My original idea of hand-stitched booklets arose from the death of my partner Freda in 2006.  Her friend, from her schooldays, has written a published book ‘Funny How Things Turn Out’.


Some ventures are like plants – they grow from seeds, some of which fall on fallow ground; they grow at a natural, variable pace, depending on chance and the weather; force them, and they may grow weak. For me, the experience of producing the books goes to show that you should always pursue ventures. You won’t necessarily get the result you’re aiming for – in fact you probably won’t – but something nice will happen.

Paul Fine









To a point of creation

To a point of creation

Spring Equinox 2017 has brought for me the end of a nine year journey. March 21st 2008 I was invited on an astrology course which inspired a project which began as a performance with song called Keys to the Golden City. Following a conversation with a friend about one of my weird stories of synchronicity it was suggested that I wrote them down, ‘people like to hear these stories’ she said. Thinking I’d give it a go I started to write and 80,000 words and three months later I produced the first draft of my book Journey to the Golden City.

The following year, purely through an interesting set of circumstances and what I would put down to as synchronicity I found myself being taken on by an agent who spent the next four years knocking on the doors of all the Mind, Body, Spirit publishing houses. It created a lot of interest but no more than that. Such is the way if you are not already published or famous.

Meanwhile I began recording the performance into a CD. This became rather more of a beast than I had bargained for. Recording a solo album that I could be happy with was rather like staring at myself in a mirror and working tirelessly till I was happy with what I saw. It took five years and many re-recordings of my vocals but finally, last year it was completed and I was happy.

Three years before I had moved to Frome and became aware of the Frome Writers Collective and joined the group. I was very excited by what was going on as it seemed the collective was developing into exactly what I was looking for, a body of people coming together with a huge amount of experience and expertise, willing to offer their services.

Meanwhile I began looking for a publishing company who could help me self-publish my book. One of the companies that affiliated itself with FWC was Troubador Publishing and after examining all the different services it offered I decided to go with them. It took six months to go from acceptance to having the books delivered to my door and I am not going to say it was an easy ride but it was certainly a steep learning curve. Whenever I struggled with things my new Frome friends and the FWC always came to my rescue.

I am so happy having it completed but although one journey has ended it has actually just changed gear. Having brought the book to a point of creation it now requires nurturing and putting out into the big wide world. Marketing has never been a passion of mine and frankly I can’t wait to get back to the creative aspect of my work as this book and CD are actually part of a trilogy and book two awaits.

Next time with so much hindsight I will venture forth knowing that the FWC has so much to offer that I will certainly dip into its wealth of skills and use them alongside Troubador’s services. I sense it will be a much easier ride next time, but isn’t that always the case. I can only offer a huge thank you to the FWC knowing that everything came together for me in a beautifully synchronistic turn of events.

Vicki Burke


In Praise of Bad Housekeeping

In Praise of Bad Housekeeping

A local radio interviewer asked me what research I’d done for the Edwardian time frame of my novel, ‘The Tissue Veil‘; someone at my book launch had done the same. Admitting that the internet had been invaluable, I cast around for examples, managing to drag up a London Underground map from 1902 and to acknowledge the usefulness of the library’s subscription to the Times Online. I knew there had been much more and, suddenly, the other day I realised it was all still there.

My virtual housekeeping is pretty much the same as the actual variety when it comes to filing documents or deciding what to chuck or keep. I went to my internet ‘favourites’ to click on the local health centre website and there was the story of much of my research, interspersed with recipes, local bus timetables and a template for an elephant head mask –…

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Stage writing for beginners – knowing your characters inside out

Stage writing for beginners – knowing your characters inside out

Check out Nikki’s fantastic article on stage writing and the hidden stories behind your characters.

Nikki Copleston

I wrote my first play when I was 8. It was called ‘Cat on a Hot Tin Roof’. I’d heard the title and thought it sounded good, so I wrote my own little drama about a cat that climbs up onto a shed roof on a summer’s day and can’t get down. It owes little to Tennessee Williams.

I haven’t written any plays since but I was drawn, a few weeks ago, to a workshop on stage writing, run by Sian Williams and Anne Pearson of the Boiling Kettle Theatre Company.  And what fun it was! Five would-be dramatists chucking ideas around on a Sunday afternoon at the Merlin Theatre in Frome – and emerging with the bare bones of five plays.

Now we’ve met again and spent another busy Sunday afternoon putting flesh on those bones. How? By getting to know our characters inside out.

If you’re going to create…

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